Fail-over options and solid platform support STL and studio/studio use

New Olympus LS-10 Recorder Takes Field Audio by the Hand

The PMD620 was developed in response to the flood of new solid-state mini-recorders that...

Static RAM digital storage technology quickly is becoming the standard for professional field recording....

Over the past few years, I've witnessed the odd sight of reporters holding out...

With Digigram professional audio cards making up 60 percent of the world broadcast market,...

It used to be that the demands put on a newsroom mixer and full...

When Connected to USB Port, UAX220 Is Recognized as a USB Audio-Compliant Device Without...

Marantz's PMD660 Offers Compact Size, Price; Recording, Editing Features for Newsgathering

Henry's Broadcast Mixer Fits In Drive Bay, Transforms Computer Into One-Mic Console

The Rackmount Solid-State Recorder Serves As Cassette/DAT/MD Replacement, PC-Based Workstation

The TASCAM US-122 USB Audio/MIDI Interface is an easy way to add a quality...

Behringer's latest, the Eurorack MXB1002, is a 10-channel console featuring five microphone preamps, sliders...

A few years back, Shure introduced the KSM line of studio microphones intended for...

There's an old joke about a bear riding a bicycle. Whether he rides it...

The Pioneer DVR-A03 disc burner is an evolutionary leap in mass storage. With the...

Suddenly, "active" or powered monitors are everywhere. A key advantage for active designs is...

While it may seem that MiniDisc has become a dominant format for radio field...